Queen’s Theatre Hornchurch announces spring 2018 season

Spring/Summer Jump the Q Season Tickets are on sale.

Enjoy ALL THREE of our in-house productions this autumn from just £14 per show. You’ll be able to get the best seats at the best prices with our Jump the Q season ticket, it’s the most cost-effective way for you to get your theatre fix in the coming months.

The season opens with the spine-tingling thriller, Rope. Running from 15 February – 3 March, this dark classic by Patrick Hamilton was filmed by Alfred Hitchcock in 1948 and is based on a 1920’s real-life case. It will be directed by our Artistic Director Douglas Rintoul and co-produced with New Wolsey Theatre. (Previous collaborations include Made in Dagenham, Worst Wedding Ever and The Ladykillers).  

Following this year’s acclaimed revival of The Crucible, the Queen’s Theatre is partnering with Les Théâtres de la Ville de Luxembourg again to produce Diane Samuels’ heart-warming classic Kindertransport in association with Selladoor Productions. Running from 8 – 24 March, it marks the 80th anniversary of the Kindertransport and 25 years since the deeply moving and timely modern classic was written.

Finally, disco royalty rolls into town with the glamorous regional professional premiere of Priscilla, Queen of the Desert the Musical from 27 April – 19 May. This uplifting tale is written by Stephan Elliott and Allan Scott and directed by Douglas Rintoul. Based on the smash-hit movie, audiences are promised a highly entertaining new take on this iconic musical.

Theatregoers can enjoy all three of these productions with a cost-effective Jump the Q season ticket from £42 (£14 per show). The season ticket goes on sale from Saturday 11 November and individual tickets can be purchased from Tuesday 21 November. Offer ends on Sat 3 Mar.

For more information and to book your Jump the Q season ticket click here or phone our Box Office on 01708 443333.

Relaxed and Dementia-Friendly performances announced for Beauty and the Beast

Panto season is one of the most joyous and magical times of the year and no one should feel excluded from enjoying the wonders of Pantomime.

Following such positive feedback from providing a Relaxed Performance and a Dementia-Friendly performance at last year’s panto Cinderella, the Queen’s Theatre is delighted to be offering these two specially adapted performances again for this year’s festive extravaganza, Beauty and the Beast.

These adapted performances welcomes people of all ages who will benefit from a relaxed, quieter and supportive environment including people with an Autism Spectrum Condition, sensory and communication disorders, a learning disability or Dementia.

The theatre welcomes those who may usually be prevented from visiting the theatre to attend these tailored performances. Relaxed performances provide a comfortable setting for audience members who might find it difficult to follow the usual conventions of theatre etiquette. By creating an informal environment it will enable patrons to just be themselves without the need for families or carers to worry about the effect it may have on others around them. It is assured that audience noise is permitted throughout the performance and individuals who may feel overwhelmed are free to leave to a ‘chill out’ area in the foyer and return when they feel ready at any point during the show. House lights will be kept on throughout the performances, extremely loud noises and flashing lights will be removed or reduced and additional staff will be on hand to provide extra assistance front of house.

The Relaxed Performance will take place on Tuesday 2 January at 5.30pm and the Dementia-Friendly Performance will take place on Wednesday 3 January at 1.30pm. Tickets for these Relaxed Performances are £12.50. To book tickets please call the Box Office on 01708 443333 or stop by in person to discuss your requirements.

Written by Andrew Pollard and directed by Martin Berry, Beauty and the Beast is packed with sparkling sets, colourful costumes, tunes that you all know, lots of laughter and tailored audience participation.

Queen’s Theatre partners with Rainham Hall National Trust to stage ‘Twas the Night Before Christmas

‘Twas the night before Christmas, when all through the house. Not a creature was stirring, not even a mouse.

 

Parents wanting to make the festive season even more magical for their little ones this year will not want to miss ‘Twas the Night Before Christmas from 6 – 23 December. Created by Queen’s Theatre Hornchurch and Rainham Hall National Trust, this fully immersive show sees families enter the bedroom of a Christmas mad seven-year-old. Youngsters will help him finish decorating his room, turning it into the cosiest, Christmassy bedroom in the world! Join in the countdown to Christmas and discover which toy he finds in his patchwork quilt advent calendar, and don’t forget to listen out for the elf bells! It is performed at Rainham Hall’s charming, historic hayloft and is suitable for accompanied 3 – 7 year olds.

Based on the famous poem by Clement Clarke Moore, local actor Samuel Ward-Smith will perform the story about a child’s encounter with Santa Claus and his desperation to see him again. Samuel Ward-Smith is a recent graduate from Mountview Academy and has a strong association with the Queen’s Theatre. He was a member of its youth theatre, QYouth for 8 years (2005 – 2013) and completed an apprenticeship with the theatre before going to drama school.

Twas the Night Before Christmas takes inspiration from festive celebrations during the 1940s to coincide with Rainham Hall’s Remembering the Day Nursery exhibition. It celebrates the time when the Hall operated as a state-run wartime nursery for local children between 1943 and 1954.

Written and directed by the Queen’s Theatre’s Artistic Director Douglas Rintoul, this unique experience will get everyone, young and old, peering a little further into the sky this Christmas Eve.

‘Twas the Night Before Christmas will be performed at Rainham Hall’s historic hayloft from 6 – 23 December. Tickets are £7.50 for all weekday performances and £10 at weekends. Performances are at 11.30am and 1.30pm with an additional 3.30pm performance at weekends. To book, call the Queen’s Theatre’s Box Office on 01708 443333 or go online at https://queens-theatre.co.uk/whats-on/show/twas-night-christmas/

Interview with writer Clem Garritty

Clem Garritty, Artistic Director of award-winning theatre company Kill the Beast, talks about his fresh adaptation of H.G.Wells’ sci-fi classic The Invisible Man. He gives a little taste of what you can expect from this gripping thriller and how it’s different from previous stage productions.

What was it about H.G.Wells’ original book The Invisible Man that appealed to you?

I read the book and it’s really thrilling. I would say, I was really surprised by how much of a thriller it was and I was also really impressed by the science of it all. It was written with an obvious sense of detail of science and obviously he’s the father of science fiction so that makes a lot of sense. The thing that I got from reading it was that it was an adventure story and that for me is always really thrilling when you go and watch shows on stage.

What makes your version of The Invisible Man so different to previous adaptations?

In terms of what makes it different, there aren’t really any women in the original text.  I’m also a director as well as a writer and am always very keen to not solely make work that is about men, and white men. It feels like the majority of mainstream theatre ends up accidently being [that] by proxy. I wanted to create a strong female foil for Griffin, the lead character, because also, it didn’t necessarily feel like he had that many domestic drivers. I wanted to explore that a little bit and created the character of Lucy. She is also a scientist and isn’t just the sort of Inn Keeper or cleaner which were the only female roles in the original book.  I also wanted to explore how Griffin is outside of the classroom, out of his experiments.

The thing that really comes through in the book is the mix of the pursuit of knowledge – how a very smart man finishing a PHD and by exploring a strand of physics, can end up going mad at the potential power it gives. That comes across amazingly in the book. When I talked to Ryan, the director, that was something that we really wanted to push and view how that’s told onstage. We spoke for a while about whether or not it should be a modern adaptation because a lot of it feels very applicable to today and the nature of being visible and being invisible. We did toy for a while with that. I felt very excited about writing and Ryan staging something that was a bit classic and old school. If you’ve never seen The Invisible Man before then come and see it playing out on the rooftops of London and this whole Victorian, gothic aesthetic!

We were given an amazing design aesthetic so it was nice to see how Lily the designer has interpreted that. It also leads you to finding fresh new ways of doing that. It’s not just black, soot,  street beggars and cobbles stones etc. So yea I think in terms of keeping it in the original context actually probably led us to more original ways of telling that story I think.

Tell me a bit more about your award-winning theatre company Kill the Beast

We adapted The Boys that Kick Pigs and it all kicked off from there. We took the show up to the Edinburgh Fringe at the Pleasance and then made a few more shows after that. He Had Hairy Hands was an original piece about a werewolf detective movie onstage, very ridiculous! It’s a small crew of four performers and me. We all write the scripts together and combine our love of horror films and British comedy TV shows. That sort of led us down a strange, weird little path that I think not many people are doing. We got noticed just because no one else was really doing it, which was lovely. It’s been bubbling on from there for about 5 years now. We did another show called Don’t Wake the Damp which we toured and played at the Soho Theatre recently. We are currently making our fourth show. We’re a small collective so we do everything ourselves. I design everything and we write everything between the five of us. I direct, the guys in the cast also write and compose songs and music, and we produce everything ourselves.

How has the process been working on The Invisible Man? It’s a much larger scale production with lots more people involved

Slightly terrifying! On the first day of rehearsals they revealed what the model box looks like and I was like ‘Oh My God’ this stage is huge! I’ve written this on my own. Normally, with Kill the Beast we write as a group, as a collective. When we first started I was quite nervous. I had a meeting with Ryan the director and John the Magic Consultant and I nervously said ‘How should I write this? Should I wait until I’ve got a design and know what tricks we can and can’t do?’ And they were both very quick to say ‘No, go away and write the show you want to write and we’ll make the magic work, we’ll figure out a way of staging this’. It’s very cool having such a large, professional, hardworking team squirreling away for months, to put your words onto a stage and make them look more amazing than they are. I really am excited to see it! You’re getting two for the price of one. You’re going to see this thriller play on stage, but you’re also getting a magic show out of it. Hopefully you’ll be looking at it going ‘How the hell are they doing that!?’  which would be lovely, I’m hoping audiences do!

The show runs at the Queen’s Theatre from 28 October to 18 November. For more information and tickets visit: https://queens-theatre.co.uk/whats-on/show/the-invisible-man/

Venue call out: Queen’s Theatre seeks unique performance space

The Queen’s Theatre Hornchurch is searching for a unique space to stage a piece of brand new writing which will be performed by its young company next year. It’s an exciting opportunity for the theatre to revitalise the concept of live performance and enable young people the rare chance of performing in an unconventional space.

The Queen’s Theatre is reaching out to anyone who knows of any abandoned warehouses, old buildings, industrial lockdowns, unoccupied shop units or other empty spaces within a 25 minute car journey from the theatre. The theatre is situated on Billet Lane, Hornchurch (RM11 1QT). The theatre is willing to discuss potential spaces further afield if it meets the requirements. All venue proposals must meet health and safety regulations.

The space should ideally be available for a few dates between 12 and 18 February 2018, but the theatre is flexible throughout February into early March.

If you would like to propose a space please get in contact with Joe as soon as possible by emailing him at joer@queens-theatre.co.uk

Queen’s Theatre collects Most Welcoming Theatre Award

The Queen’s Theatre Hornchurch was delighted to recently win the UK’s Most Welcoming Theatre award in the East for the second year running, in the UK Theatre Awards, in association with Smooth Radio.

Box Office Manager Jan Sullivan, Deputy Box Office Manager Julia Jones, Marketing Manager Sarah Soliman and Audiences and Facilities Assistant Manager Peter Thorne attended the ceremony, held at London’s historic Guildhall on Sunday 15 October, where they were honoured to collect the award.

The Queen’s Theatre was among 12 regional winners and the awards, voted for by the public, are a wonderful opportunity for audiences to celebrate their local theatres.

Mathew Russell, Executive Director at the Queen’s Theatre said, ‘We are overjoyed to have retained our title as the UK’s Most Welcoming Theatre in the East. Thank you to everyone who voted for us and to all the staff at the Queen’s Theatre, whose continuing dedication and professionalism has earned us this award. We’re making great developments to our rich programme of work, offering an increasingly diverse and affordable programme of quality entertainment all year round to appeal to audiences of all ages and backgrounds.’

At the ceremony, the Queen’s Theatre team rubbed shoulders with showbiz luminaries, including actress Sharon D Clarke (The Lion King, Chicago, We Will Rock You) who hosted the event and actor Joseph Millson (Royal Shakespeare Company). The event also saw theatre critic, writer and journalist Lyn Gardner awarded with the Outstanding Contribution To British Theatre 2017 award by Artistic Director of Shakespeare’s Globe Emma Rice. The group were also treated to a performance by Everybody’s Talking About Jamie, which scooped Best New Musical and Best Performance in a Musical. It transfers from Sheffield Theatre to the West End in November.

The full list of winners of this year’s UK Theatre Awards can be found here

Critics are loving Ealing comedy The Ladykillers

Our co-production of The Ladykillers opened this week and has left audiences and critics ‘crying with laughter’. High praise has also been given to the show’s inventive set which sees Mrs Wilberforce’s house rotate 360 degrees and open out like a book.

The Reviews Hub rated the production four-stars and saidForget Alec Guinness. Forget Tom Hanks. This is an ingenious stage version of William Rose’s classic Ealing comedy’.

Romford Recorder was left ‘snorting with laughter’ and applauded the production for bringing ‘the house down [with this] laugh out loud crime caper’.

Here’s what the other critics have been saying:

One of the best I have seen at the Queen’s TheatrePhoenix FM

‘Had me chuckling through most of the night’ Hornchurch Life

‘The perfect night out’ Grapevine

‘This is a fine ensemble, with some perfectly rounded characters providing many laughs’ British Theatre.com

Queen’s Theatre Hornchurch co-produced this side-splitting comedy with Salisbury Playhouse and New Wolsey Theatre Ipswich by arrangement with Fiery Angel Limited, London.

The Ladykillers runs at the Queen’s Theatre until Saturday 21 October. For more information and tickets call the Box Office on 01708 443333 or visit: https://queens-theatre.co.uk/whats-on/show/the-ladykillers/

Queen’s Theatre celebrates Black History Month with fantastic musical tributes

The Queen’s Theatre Hornchurch is proudly celebrating Black History Month throughout October with a rich programme of live entertainment, celebrating the diversity in Havering’s communities.

The programme begins with energetic jazz percussionist and vocalist Frank Holder and his Band on Friday 13 October at 2.30pm. Performing a mixture of jazz tunes, popular classics, swing and easy listening melodies, an afternoon in Frank Holder’s company is a must for any jazz lover.

A centenary musical tribute to one of America’s most beloved female jazz singers, Ella Fitzgerald, will be given by vocalists Sue and Jeff Short on Sunday 15 October at 3pm.

The legendary singer and civil rights activist Nina Simone criss-crossed our lives for five decades with songs such as My Baby Don’t Care, Ain’t Got No, Feeling Good and I Loves You Porgy. Audiences will have the chance to experience her life story in song and spoken word with Claudina Edwards on Sunday 22 October at 7.30pm, a regular performer at the theatre.

The Creole Brothers will be turning up the heat on Tuesday 24 October at 8pm with a powerful, pulsating blend of British folk and roots from Cajun and Creole Louisiana. Full of driving beats and earthy passion, this is music with its dance shoes on!

The final show in the programme is Soul Legends, a feel good celebration of the genre featuring hits by Earth, Wind & Fire, Michael Jackson, Aretha Franklin, James Brown and more. Audiences can jump aboard the soul train on Sunday 29 October at 7.30pm.

The Queen’s Theatre Hornchurch champions diverse strands of work all year round and is delighted to be offering a platform to some of the best tributes within black history.

For more information about these events and to book call the Box Office on 01708 443333 or visit https://queens-theatre.co.uk/whats-on/

Queen’s Theatre wins UK’s Most Welcoming Theatre in the East second year running!

The Queen’s Theatre Hornchurch is delighted to be named as the regional winner in the East for the second year running as the UK’s Most Welcoming Theatre, in this year’s UK Theatre Awards, in association with Smooth Radio. The theatre is proud to be recognised for its excellent level of customer service by the general public, offering all visitors a warm and friendly welcome.

The theatre is among 12 regional winners announced by UK Theatre who are invited to the annual UK Theatre Awards ceremony on Sunday 15 October at London’s historic Guildhall, where the overall winner will be announced.

Mathew Russell, Executive Director at the Queen’s Theatre said, ‘We are overjoyed to have retained our title as the UK’s Most Welcoming Theatre in the East. Thank you to everyone who voted for us and to all the staff at the Queen’s Theatre, whose continuing dedication and professionalism has earned us this award. We’re making great developments to our rich programme of work, offering an increasingly diverse and affordable programme of quality entertainment all year round to appeal to audiences of all ages and backgrounds.

This year’s nominations demonstrate the breadth and depth of outstanding talent and achievement in theatre and the performing arts throughout the United Kingdom, on and off stage. The full list can be viewed at www.uktheatre.org

The Ladykillers – Ealing comedy adapted by Father Ted & The IT Crowd writer Graham Linehan

The Queen’s Theatre Hornchurch is excited to be co-producing a new side-splitting adaption of the much-loved Ealing classic comedy, The Ladykillers, which runs at the theatre from 3 – 21 October.

The farcical production has been written by Graham Linehan who is best known for penning the hugely popular TV sitcoms Father Ted, The IT Crowd and Black Books. Based on the 1955 film of the same title featuring Alec Guinness and Peter Sellers, this exuberantly inventive play features a captivating and ingenious rotating set.

When Mrs. Wilberforce puts a sign in her newsagent’s window advertising ‘A Room to Let’, she’s delighted when the mysterious Professor Marcus proclaims it perfect for rehearsing his unorthodox string quintet. She soon discovers that she is not making tea for a motley band of musicians, but harbouring a hardened gang of criminals and conmen planning the great Kings Cross Train Robbery!

The cast includes Graham Seed as Major Courtney best known for his role playing Nigel Pargetter in the BBC’s The Archers. Other TV credits include Mr Trevitt in ITV’s The Durrells and his stage credits include Yes, Prime Minister (Tour); Ann Penfold as Mrs Wilberforce whose credits include The Taming of the Shrew (Royal Shakespeare Company), Deep Blue Sea (West Yorkshire Playhouse) and Saturday Sunday Monday (National Theatre) and Steven Elliot as Professor Marcus, whose film credits include the title role in The Watcher in the Woods with Anjelica Huston, and whose theatre appearances include The Winter’s Tale (National Theatre), Measure For Measure (Royal Shakespeare Company) and The Devil Inside Him (National Theatre Wales).

Joining them will be Marcus Houden (The Tempest, Hope Theatre); Sam Lupton (Wicked, Apollo Victoria Theatre; Little Shop of Horrors, UK Tour; Avenue Q, UK Tour); Damian Williams (Hairspray, Leicester Curve) and Anthony Dunn (Calamity Jane alongside Jodie Prenger, UK & Ireland Tour).

Mixing slapstick and criminal capers to hilarious effect, The Ladykillers is a light-hearted piece of theatre that guarantees audiences leaving with a grin on their face.

Following the success of the co-production of smash hit comedy, Worst Wedding Ever in March, the Queen’s Theatre Hornchurch is excited to be working with The New Wolsey Theatre, Ipswich and Salisbury Playhouse again to co-produce this new stage adaption of The Ladykillers. Each tour venue will also be featuring a chorus of ‘older ladies’ from their own communities, who will play the friends of Mrs Wilberforce in Act One.

The Ladykillers runs at the Queen’s Theatre Hornchurch from 3 – 21 October. Tickets are £18 – £29 with £10 tickets available for under 26s at certain performances.  For more details and to book, call the Box Office on 01708 443333, visit the theatre in person or go online at queens-theatre.co.uk.

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