An interview with Joanne Seymour who plays Sharon in Sharon ‘n’ Barry Do ‘Romeo & Juliet

It’s the last week of rehearsals for Sharon ‘n’ Barry Do ‘Romeo & Juliet’, our up-coming new everyday comedy which previews this Thursday. We had a chat with Joanne Seymour who plays Sharon. She gives us an insight into rehearsals, her character and why people who reside in Essex will especially enjoy the show.

How are rehearsals going?

Really good. It’s starting to come together and look like a piece.  It’s been very, very hard work but it’s enjoyable and I’m loving being at the Queen’s Theatre Hornchurch for the first time.

How does preparing a show for Zoom compare to your experiences of rehearsing a show for the stage?

It feels very different, like a hybrid between TV/film and theatre. Your instinct is to act for the theatre because it’s a play, but you need to be conscious that what you’re acting to is the size of a television screen. It’s exciting.

Have there been any surprises/differences that you weren’t expecting from performing a show on Zoom?

You don’t need to be as big, so you need to try and remember to hold back a little bit which in this piece, is quite difficult because we’re playing characters with large personalities. That’s been quite a challenge! It’s a strange one as you know that the audience are watching the show live, but it feels like a TV show. It’s an odd feeling but a good and refreshing one.

Have there been any specific challenges that have come up during rehearsals?

We’ve created the roles of Sharon and Barry from scratch so that’s been amazing. It’s been challenging but very enjoyable. We developed and created everything that they are saying during the rehearsal process. There wasn’t a script at the beginning of rehearsals, just a concept. Everything has been improvised in the rehearsal room with the guidance of Douglas Rintoul, the Director. It’s been a great experience devising those characters from scratch. It’s felt natural, we’ve been able to get into character quite quickly. The characters now feel like an extension of ourselves.

It’s been very different to work with the Shakespearian language, which you need to be exact with, against the complete improvisation of Sharon and Barry’s lines. You use both disciplines which has been motivating.

What’s been your favourite part of the process so far?

Devising Sharon and Barry. Plus, I love Shakespeare! Although Sharon and Barry aren’t that good at Shakespeare, it’s been wonderful for me as an actor to play Juliet. It really has! I never thought I’d get the chance in my fifties so that’s been an incredible feat for me!

What are your feelings about performing to a Zoom audience?

Yeah… strange. I can’t imagine really. As I said, they’re going to be live and we’re going to be able to see them, but we won’t obviously get the feedback that you’d get in a live theatre, so I don’t know how that’s going to feel. I can’t even imagine. I’ve got a feeling it might be a bit nerve racking, but we’ll go with it.

Can you tell me about your character Sharon?

She’s wonderful! She’s a very confident person, she’s very secure in her own skin. She’s lovely, a proper salt of the earth Essex lady. I’m from Essex myself and I think that she’s a good representation of the County. A very positive representation! She’s a much more confident version of me. The very fact that she’s taking on this absurd idea to perform Romeo and Juliet as a Zoom performance shows that she’s fearless. She’s nervous at the beginning but fundamentally I think she’s a confident woman with her own business. She’s a good character to play.

You mentioned that you’re from Essex. Which part are you from?

Yes, I’m Essex born and bred. I’ve lived in Southend on and off. I’ve lived in Romford and then London for a bit, but I’ve been back in Southend since 1996.

Why should people book to see the show?

I think that particularly for Essex people, they’ll recognise Essex in the piece. I think it’s a bit of fun, it’s something totally different. You don’t need to know anything about Shakespeare to enjoy the show but if you do enjoy Shakespeare, that’s bonus as you’ll get the best of both worlds. I don’t think it’ll be like anything else you’ll have seen.

An Interview with Douglas Rintoul, Director of Sharon ‘n’ Barry Do ‘Romeo & Juliet

It’s the beginning of the tech week of rehearsals for Sharon ‘n’ Barry Do ‘Romeo & Juliet’, our up-coming new everyday comedy. We had a chat with Douglas Rintoul who is directing the piece. He gives us an insight into what inspired him to direct this show now and why you should book a ticket.

What inspired you to direct this piece now? 

In mid-January, when we knew we were in for another long lockdown, we decided to make another small piece because we wanted to keep up a connection with our audiences. A few weeks later we were in rehearsals for something we never planned to do. This is our fourth show since the first lockdown and our third online. This lockdown has been so hard for everyone, so I wanted to make something fun and joyous – something a bit daft.

I’ve been inspired by the creativity and sense of play of our community during the lockdown. One couple has engaged with lots of our digital workshops and posted pictures of themselves in costume and using props, and I thought, what would happen if they created a play in their living room?

People have done and experienced things they have never had to before during the last 12 months, home schooling, DIY, fundraising, isolating, musical instruments, Zoom parties, binge-watching Netflix, baking, online fitness and workshops, so it didn’t feel far-fetched that a household was being super creative to keep themselves occupied. I wanted to make something that celebrated this collective experience and endeavour to stay engaged.

During my career, I’ve always been blown away by how non-professionals can own Shakespeare quickly and can perform it with ease and freedom from the constraints of academic reverence. This has really influenced the piece. We don’t laugh at Sharon ‘n’ Barry; we laugh with them as they take claim and own Shakespeare in their own way.  I hope we imagine ourselves doing the same thing and seeing our own potential to do something daft and fun in our restricted circumstances.

Why should people book a ticket?

It’s fun, joyous, daft and touching – we get to hang out with two gorgeous yet familiar characters in their living room as they climb their own creative Everest.

 

An Interview with David Nellist who plays Barry in Sharon ‘n’ Barry Do ‘Romeo & Juliet

It’s the second week of rehearsals for Sharon ‘n’ Barry Do ‘Romeo & Juliet’, our up-coming new everyday comedy. We had a chat with David Nellist who plays Barry. He gives us an insight into the rehearsal process and creating a production for Zoom.

ARE YOU ENJOYING BEING BACK AT THE QUEEN’S?

I love it! I don’t notice it so much in the rehearsal room but when we break, put the masks on and go to our Dressing Rooms, rather than the Green Room, I do notice it and it’s a little bit more isolating, so I miss that social side things. I also miss the ‘welcome back’ hugs. However, it’s really nice to be back!

WHAT SURPRISED YOU ABOUT REHEARSING FOR A ZOOM PRODUCTION COMPARED TO A STAGE SHOW?

It’s quite a complicated production already because it’s like a double play. We’re playing Sharon and Barry who are playing the characters in Romeo and Juliet. So sometimes as you’re rehearsing, you’ll feel like that felt like Barry playing Romeo but then ahh…. you’re out of shot, so then you have to change that.

Also, all the things that you normally must hide from the audience like the props and costume changes, now just must happen out of shot rather than in the wings, so that’s different.

It’s anarchic which is good, the way we’re having to solve the problems. You get to a scene where there is three characters in it, and we as actors are quite used to doing that and improvising. Sharon and Barry wouldn’t be, so what will they do when they discover that they’ve got to play two characters in one scene, how would they approach it? That’s the ingenious and funny part about it.

It’s been quite fun to use the different tools of Zoom like different backgrounds. There’s a lot of humour to be had.

HOW HAS IT BEEN REHEARSING WITH YOUR ‘NIECE/NEPHEW’?

We met them on the first day in person and then we’ve only seen them over Zoom since. James Watson has obviously been doing great work with them in between the rehearsal sessions because when they come back, you can see that their performance is so much better than the last time we heard it. And of course, Jack was in Macbeth so it’s nice to be working with him again. They’re both really blossoming. It’s great to see young actors gaining their confidence. One of them performs their part and then you’ll see that the other one realises that they’ve got to raise their game a little more. They sort of buoy each other up.

THIS PIECE HAS BEEN DEVELOPED DURING REHEARSALS AND IMPROVISED. THE CONCEPT WAS THERE BUT THE SCRIPT IS BEING CREATED IN THE REHEARSAL ROOM. HOW ARE YOU FINDING THAT PROCESS?

There’s still a lot of Shakespeare that we’ve had to learn but this is harder because we’re playing multiply characters. I’m playing Romeo, then the Nurse and then Romeo again, and you’re talking to yourself back and forth whilst also remembering which costume you’ve got to have on for the next scene. Then Doug, the Director, will remind me that I forgot to put the music on!

The interaction between Sharon and Barry really developed from day one. Doug told us from the start what he wanted us to mention and then we improvised around it. Gradually Doug has recorded what we’ve said and then told us what to keep and what to cut. We now know the characters quite well. We know when it feels wrong and when they wouldn’t be saying or doing that. The modern parts aren’t going to be 100% scripted, it will be slightly different at every performance.

WHY SHOULD PEOPLE SEE THIS SHOW?

First and foremost, it’s funny! If you know Romeo and Juliet, it’s a different way to how you would traditionally view it. If you don’t know the play, it doesn’t matter, it’s a nice story. It’s a bittersweet comedy and there’s a lot of love in the show. We all need that at the moment!

AND FINALLY, WHAT WAS IT LIKE BEING IN BBC ONE’S SHERLOCK?

It was good…, it’s just good TV. I feel a sense of pride about the show because, as well as being in some later episodes, I was in the pilot when nobody knew if it was going to work at all. People thought that it should be set in Victorian London with foggy streets but when the show went out, it just grew. Martin and Benedict are both so good it in that you couldn’t imagine anyone else playing those roles, which is always the mark of good telly. They’re such nice lads, really lovely lads.

 

Casting announced for world premiere of a new everyday comedy at Queen’s Theatre Hornchurch

Full casting has been announced for Queen’s Theatre Hornchurch’s upcoming production of Sharon ‘n’ Barry do ‘Romeo & Juliet, a new everyday comedy, on Zoom from 25 February – 6 March 2021.

The cast is: East London actor David Nellist (BBC One’s Sherlock and Macbeth, Queen’s Theatre Hornchurch) and Southend-on-Sea actor Joanne Seymour (BBC One’s Eastenders and The Killing of Sister George, Palace Theatre Southend). Completing the cast are Jessica Rothon and Jack Scannell-Wood, from Queen’s Theatre Hornchurch’s QYouth programme, alternating as Sharon and Barry’s niece/nephew. 

Sharon and Barry are done with baking, Joe Wicks & Netflix and have stumbled upon Sharon’s old battered school text of Romeo & Juliet in their loft. After a bit of a read and a watch of the classic, the couple’s been inspired to have a crack at the play themselves… 

They’ve hacked out the boring bits, worked out playing all the parts, and the props have just arrived from Amazon! 

So, join them live from their living room for this inadvertently hilarious, but surprisingly touching, take on Shakespeare’s most romantic story.

The play will be performed live online via a private link and is directed by Douglas Rintoul, the Theatre’s Artistic Director (Christmas Allsorts; Misfits; As You Like It; In Basildon; and Priscilla Queen of the Desert, Queen’s Theatre Hornchurch).

This new work builds on a year of digital innovation at Queen’s Theatre Hornchurch in 2020, with the international streaming of co-production The Hired Man, live streamed community response piece Here I Am and world premiere of award nominated digital theatre piece Misfits.

Sharon ‘n’ Barry do ‘Romeo & Juliet will be performed on Zoom from 25 February – 6 March 2021. Tickets cost £8 plus 65p QRenew Fee, suitable for all ages 7+. For more information and to purchase tickets click here.

The magic of live theatre direct to your home… but with comfy sofa seating, shorter queues for the loo and cheaper snacks.

😊 Let’s make Havering happy and more news from your theatre! 🎭

Join The Changemakers Network!

Our Young Changemakers are excited to launch The Changemakers Network to connect and champion creative young people.

Sign up and be first to receive the upcoming Young Changemakers Podcast, seed commissions for young artists and invitations to live events later in 2021. Joining is free and easy, click here!

The network is open to anyone who wants to get involved, with most opportunities focussed at 18-25 year olds from across Outer East London and Essex.

With thanks to the Paul Hamlyn Foundation for their support of our Learning and Participation programme.

 

 

Let’s Make Havering Happy

We want to know your creative ideas and projects that will help spread some joy and put a smile on someone’s face who may be experiencing loneliness during this lockdown.

Havering Changing is looking to work with artists, craft makers and community groups to spread some creative happiness at this time and are welcoming applications as part of an open call.

Ideas should inspire people to engage in creative activities, make them feel valued, and lift their mood to help their mental health and general wellbeing.

The projects should all be activities that people can do at home and do not require an internet connection or mobile phone to connect to.

Even if you do not have a creative idea, but want to help or know a person or group who would benefit from some creativity at this time, please get in touch.

Find out more here.

 

 

Romford Winter Garden

From Monday 1 February, Havering Changing launches their Winter Garden Project, in partnership with artist Carlos Cortes.

The Winter Garden will be bringing to the streets and houses of Romford a large kaleidoscope of colours and natural forms. Local people can get involved and use their creative flair to make colourful flowers, plants, and display them in the windows of their homes creating a collective Winter Garden.

Winter Garden workshops will be delivered through online tutorials and creative packs that residents can request or pick up in selected shops in Romford, Rush Green and Collier Row when doing their essential shopping.

Find out more here

 

 

Coven celebrates using our Artist Space 

Queen’s Theatre Hornchurch Associate Artist, Rebecca Brewer, talks about being back in the Theatre:

‘We feel really lucky to be able to come into the Queen’s Theatre Hornchurch to do some work on COVEN next week.

A lot of planning has gone in to the rehearsal to make sure that we are COVID-19 secure; we have people zoom-ing in for rehearsals as well as a handful of people coming into the space, as well as lots of masks, temperature checks and sanitiser!

We’ll be exploring the music and script further, but also exploring some shadow puppetry, movement and even some moments of magic! We hope that we will be able to share COVEN again with you as soon as time allows, but in the meantime, take care and you can find us on Twitter @COVENtheshow’

If you’re a local performer or performance-maker and would like to use the Artist Space, please email douglas@queens-theatre.co.uk

Find out more here.

 

Queen’s Theatre Hornchurch announces world premiere – Sharon ‘n’ Barry do ‘Romeo & Juliet’

Queen’s Theatre Hornchurch is thrilled to announce the world premiere of a new everyday comedy, Sharon ‘n’ Barry do ‘Romeo & Juliet, on Zoom from 25 February – 6 March 2021. 

Sharon and Barry are done with baking, Joe Wicks & Netflix and have stumbled upon Sharon’s old battered school text of Romeo & Juliet in their loft. After a bit of a read and a watch of the classic, the couple’s been inspired to have a crack at the play themselves…

They’ve hacked out the boring bits, worked out playing all the parts, and the props have just arrived from Amazon!

So, join them live from their living room for this inadvertently hilarious, but surprisingly touching, take on Shakespeare’s most romantic story.

The play will be performed live in real time online via a private link and is directed by Douglas Rintoul, the Theatre’s Artistic Director (Christmas Allsorts; Misfits; As You Like It; In Basildon; and Priscilla Queen of the Desert, Queen’s Theatre Hornchurch).

This new work builds on a year of digital innovation at Queen’s Theatre Hornchurch in 2020, with the international streaming of co-production The Hired Man, live streamed community response piece Here I Am and world premiere of award nominated digital theatre piece Misfits.

Rintoul says ‘Once again we’re heading into rehearsals during a lockdown to bring audiences some live theatre. We were desperate to make something fun and joyous, so I am chuffed that today we’re announcing details of our new comedy, Sharon ‘n’ Barry do ‘Romeo & Juliet’. It’s something daft and beautiful that we hope will brighten up these last winter weeks.’ 

Sharon ‘n’ Barry do ‘Romeo & Juliet will be performed on Zoom from 25 February – 6 March 2021. Tickets cost £8 plus 65p QRenew Fee, suitable for all ages 7+. For more information and to purchase tickets, click here.

😊 Goodbye Winter Blues, Hello Theatre Fun! 🎭

Happy New Year!

We hope that you’re all safe and well. We’re working hard behind the scenes and are delighted to let you know about some of the exciting activities launching this month.

We can’t wait to fling open our doors again. In the meantime, if you’re able to donate, we would love that. Your support during this difficult time has meant so much to us.

Look after yourself, stay strong, hang out with us on social media, and look out for our weekly updates as we reveal plans for this hopeful New Year!

With best wishes,

All at Queen’s Theatre Hornchurch

 

Phizzical in association with Belgrade Theatre Coventry and Vivacity Key Theatre, Peterborough, present: Bring on the Bollywood free digital stream

The masters of Bollywood experiences Phizzical, debuted Bring on the Bollywood at Queen’s Theatre Hornchurch in June 2017.

In celebration of India Republic Day next week, our friends at Phizzical share this fantastic romantic comedy with us for FREE!

Take a break from Netflix and make an evening of it.

‘A must-see for all the family as well as Bollywood and theatre fans alike’ British Bindi.com

Festooned in a kaleidoscope of colourful costumes and melodious music, Bring on the Bollywood is a glitzy theatrical experience inspired by real stories of love.

Best Theatre Award finalist at Asian Media Awards in association with ITV.

Watch Bring on the Bollywood here for free.

 

 

Havering Changing has many opportunities for you to be creative at home and in your community in 2021

Havering Changing is all about YOU driving and deciding what creative activity YOU want to see on your doorstep. If you are from Harold Hill, Orchard Village, Rainham or Romford and want to help decide what happens in your community, Havering Changing want to hear from you!

If you have a creative idea that helps get more people taking part in amazing creative experiences, we together can support and fund you to make it happen.

And, if you love talking about what’s happening in Havering and have a passion for helping others, there are opportunities to volunteer as a Creative Champion. All positions will be supported by an induction and training by Havering Volunteer Centre.

If you would like to get involved or find out more, email hello@haveringchanging.org

 

 

Launch of QYouth Connect Sessions 

This week we have launched our new youth theatre ‘Connect’ sessions via Zoom helping young people stay connected with each other and the Theatre during this third national lockdown while we are unable to run our regular weekly classes.

All current QYouth members have been invited to join these weekly sessions which feature a different special guest every week!

 

 

Spring 2021 shows on sale now

We can’t wait to welcome you back.

Some of our spring season productions are already on sale and soon we’ll have news of more.

Up-coming highlights include the world premiere of our new Essex Musical Love Letters. In association with the National Theatre, we’ll be bringing David Eldridge’s ‘gorgeous new play’ (Independent) Beginning home to its roots and there’s plenty of live music, new writing and comedy to suit all tastes.

Click here for our full ‘What’s On’ guide

 

 

Queen’s Theatre Hornchurch launches Tiny Plays project by telephone

Throughout summer 2020 Queen’s Theatre Hornchurch ran a highly successful online initiative called Ten Tiny Plays. They invited members of the public to explore play-making exercises with local theatre director Jules Tipton.

On Wednesday 27 January, the Theatre is delighted to reimagine these free playmaking workshops delivered by telephone, especially for people with limited or no digital access. Participants can join Jules Tipton on a group phone call every Wednesday afternoon for a playful introduction to some easy storytelling activities designed to help unleash their creativity. No experience is necessary, and the project is open to everyone!

Queen’s Theatre Hornchurch will choose some of the Tiny Plays created in these workshops to be rehearsed and performed by professional actors. These plays will then be shared back as a brand-new telephone play.

Queen’s Theatre Hornchurch have partnered on Ten Tiny Telephone Plays with the Havering Asian Social Welfare Association (HASWA) and DABD. This is a continuation of their existing partnership work to support older and isolated individuals who would most benefit from the opportunities.

If you know someone who would enjoy getting involved or would like to participate yourself, please email the Learning Team on learning@queens-theatre.co.uk .

Please consider supporting the Queen’s Theatre Hornchurch at this difficult time

2020 got off to a brilliant start for Queen’s Theatre Hornchurch, as thanks to all your efforts, we were awarded The Stage ‘London Theatre of the Year’, marking the success of 2019.

And we were on a spring roll. Half of the audience for our co-production of ‘Macbeth’ were under 26. ‘Maggie May’, our world premiere co-production, was going to be a landmark event, having been made with people living with dementia. Our acclaimed co-produced musical ‘Once’ was touring the country and had already been seen in 9 cities by nearly 40,000 people.

But then COVID-19 struck and everything changed for everyone.

But we’ve been determined to fight back ever since and keep playing a vital part in the lives of our community. We’re really proud of the remarkable work our team have made happen, all thanks to your extraordinary support.

We’ve remained at the heart of the community, amongst other things, delivering online Sing-A-Longs and Seated Dance Classes to over 100,000 viewers, taking over the theatre for summer holiday workshops, working each week with looked after children, recording and broadcasting Tiny Plays written in community playwriting classes, and keeping our 200 Youth Theatre members active and creative.

We’ve premiered our first YouTube streaming, of ‘The Hired Man’; broadcast nightly from an empty stage ‘Here I Am’, lovingly pieced together from 1,000 lockdown stories collected from our audiences; especially commissioned four writers to collaborate on the premiere of ‘Misfits’, streamed 12 times, acclaimed by critics and nominated for an #OnComm award

And we’ve been offering a lifeline to a growing network of creative practitioners, through weekly skill sessions, and free space, engaging 1,100 artists. Throughout September and October we staged performances for families, people experiencing dementia and those seeking life enhancing entertainment during some pretty bleak times.

But despite all this, COVID-19 has still been having an impact on the charity financially, due to Tier 3 restrictions. We couldn’t have got through the year without generous donations from audiences, and vital support from funders.

As we look towards a brighter and ever more ambitious 2021, if at this festive time of year you can help a little bit more, by donating to QRenew, joining us as a Queen’s Angel or gifting a dear one a named seat, we’d so love to hear from you. Each penny will be invested back into brilliant theatre making for everyone throughout next year and beyond.

But in the meantime, whether you’ve already donated or can do so again, we thank you from the bottom of our hearts for continuing to support our vital work, lovingly made for and with you, and wish you the very best for the festive season.

How to support us:

QRenew
We’ll be back, hopefully playing an even bigger part in your lives as soon as we can, supporting QRenew will allow us to invest in our community to make great theatre.

[donation id=”6336bb09-b73e-eb11-80ed-00505601004c”]  [donation id=”2d7c7928-b73e-eb11-80ed-00505601004c”]  [donation id=”31eaf5bb-b73e-eb11-80ed-00505601004c”]

Become a Queen’s Angel
Queen’s Angels are those who regularly support our work by making monthly donations, enabling the Theatre’s wide ranging programme, particularly work with young people and the community, investing in and nurturing artistic talent and making theatre accessible.Become a Queen’s Angel and receive unique membership benefits.
Name A Seat

Naming a seat is a unique and meaningful way to celebrate yours, or a loved one’s, passion for theatre and help support our inspiring work on stage and in the community.

Find out more here.

 

Casting announced for festive variety show Christmas Allsorts at Queen’s Theatre Hornchurch

Full casting has today been announced for Queen’s Theatre Hornchurch’s traditional seasonal special Christmas Allsorts.

The Theatre is excited to be welcoming back actors who are no strangers to its stage. They include Lauryn Redding, who was in The Hired Man and last seen in the West End show The Worst Witch, and Alex Tomkins, who was in Made in Dagenham and Cinderella. Alex finished his run at the beginning of the year as the first cover for the lead in the hit West-End musical School of Rock.

The pair are joined by talented actor-musicians Sioned Saunders and Tom Self. They have had successful careers with roles in hit Queen’s Theatre musicals and pantomimes The Hired Man, Priscilla – Queen of the Desert, Made in Dagenham, Robin Hood and Cinderella.

Audiences will be treated to a delightfully traditional family variety show, wrapped up in tinsel, with a bit of everything loved about the very best time of the year. This glamorous and brightly coloured selection box of music, dance and comedy includes yuletide tunes from films and musicals, as well as much-loved Christmas pop, alongside classic and new comedy sketches.

Christmas Allsorts will be rehearsed and performed in a socially distanced environment. It will be directed by the Queen’s Theatre’s Artistic Director Douglas Rintoul (As You Like ItThe Hired Man, Priscilla – Queen of the Desert, Queen’s Theatre Hornchurch). With musical direction by Tom Self, lighting design by Stephen Pemble and choreography by Sundeep Saini.

Director Douglas Rintoul says ‘It’s fantastic to have a cast of familiar faces return to Queen’s Theatre Hornchurch. The cast are amazingly talented actor-musicians coming from smash-hit shows and they’re going to make Christmas Allsorts an absolutely unmissable family treat.’

Christmas Allsorts will enjoy a strictly limited run from 11 December – 3 January, with only 200 tickets available per performance in a socially distanced auditorium. Aimed at audiences of all ages, aged 8+. Tickets are £6.50 – £26.50 (plus 65p QRenew Fee).

Plan Your Journey

Food & Drink

Keep in Touch

© 2025 Queen's Theatre Hornchurch | Havering Theatre Trust Ltd established in 1953 | Registered in England No 524845 | Registered Charity No 248680 | VAT No 246 7715 38